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Adobe Photoshop Cs4 Download Free

How to stall 'web gallery' and 'contact sheet' in Photoshop CS4

Flickr photos, groups, and tags related to the 'forced+feminization' Flickr tag.

Posted by ipfidi on 2009/05/03

  • Notable features of Adobe Photoshop CS4-With some supplemented new functions, Adobe, photoshop software, photoshop software, photoshop software,the image-editing software that allows you to change image size while keeping image background objects still, minimizing image splits (normally when you change the ratio of an image, all image factors change size so it's likely to have image splits).
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In Photoshop CS4, you can't find 'web gallery' and 'contactsheet II' in the menu. These two plug-ins are not installed by default. You can use them in Bridge CS4. But for me, I am still familiar with using them in Photoshop, especial for making contact sheet. Looking around internet, I find this article. I will try it tomorrow.

With Photoshop CS4 the ContactSheet II and the Web Gallery plugins are not installed by default. They are in the Goodies folder on the install CD (or the Photoshop Extras download if you downloaded your copy).To install them so that DigitalPro can use them, follow Adobe's instructions:

Contact Sheet Plug-in: To continue using the legacy ContactSheetII and/or Picture Package plug-ins, please follow these steps:

Download free photoshop cs4

Adobe Photoshop Cs4 Download Free

How to stall 'web gallery' and 'contact sheet' in Photoshop CS4

Flickr photos, groups, and tags related to the 'forced+feminization' Flickr tag.

Posted by ipfidi on 2009/05/03

  • Notable features of Adobe Photoshop CS4-With some supplemented new functions, Adobe, photoshop software, photoshop software, photoshop software,the image-editing software that allows you to change image size while keeping image background objects still, minimizing image splits (normally when you change the ratio of an image, all image factors change size so it's likely to have image splits).
  • Beautiful client photo gallery designed for professional photographers to share, deliver, proof and sell online.

In Photoshop CS4, you can't find 'web gallery' and 'contactsheet II' in the menu. These two plug-ins are not installed by default. You can use them in Bridge CS4. But for me, I am still familiar with using them in Photoshop, especial for making contact sheet. Looking around internet, I find this article. I will try it tomorrow.

With Photoshop CS4 the ContactSheet II and the Web Gallery plugins are not installed by default. They are in the Goodies folder on the install CD (or the Photoshop Extras download if you downloaded your copy).To install them so that DigitalPro can use them, follow Adobe's instructions:

Contact Sheet Plug-in: To continue using the legacy ContactSheetII and/or Picture Package plug-ins, please follow these steps:

  1. From the Photoshop CS4 install disc, drop the ///Goodies/Optional Plug- Ins/Automate/ContactSheetII plug-in into the //Adobe Photoshop CS4/Plug-ins/Automate folder (this is for both Contact Sheet and Picture Package).
  2. From the Photoshop CS4 install disc, drop the ///Goodies/Presets/Layouts folder into the //Adobe Photoshop CS4/Presets folder and restart Photoshop.

Web Gallery Plug-in' To continue using the legacy Web Photos Gallery plug-in (WebContactSheetII), please follow these steps:

  1. From the Photoshop CS4 install disc, drop the ///Goodies/Optional plug- Ins/Automate/WebContactSheetII plug-in into the //Adobe Photoshop CS4/Plugins/ Automate folder
  2. From the Photoshop CS4 install disc, drop the ///Goodies/Presets/Web Photo Gallery folder into the //Adobe Photoshop CS4/Presets folder and then restart Photoshop

NOTES: * On Vista make sure you are an admin * Exact locations in the Goodies folder seem to vary a little from Adobe's notes, so you may have to look around.

Find another link is useful. Check it out http://blogs.adobe.com/jnack/2009/04/a_few_useful_reminders.html Photoshop cs6 free windows.

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Adobe Photoshop Extended CS5 Upsell from Photoshop Elements [Old Version]
Expand your creative options and take advantage of more image editing power than ever before with state-of-the-art new tools in Photoshop CS5. Make complex selections more quickly and easily. Paint with natural and realistic effects. Move, warp, or stretch any part of an image, or remove image elements and see the space fill in like magic. Speed up all your imaging tasks with 64-bit cross-platform support, more GPU-accelerated features, and dozens of time-savers suggested by Photoshop users.
Adobe Photoshop CS5 Extended software delivers breakthrough capabilities for creating images with impact. Get precise results when making complex selections. Remove any image element and see the space fill in almost magically. Paint on 2D and 3D images with naturally textured brushstrokes and realistic color blends. Create 3D extrusions for logos and artwork. Also work fast with cross-platform 64-bit support and dozens of time-savers.
Adobe Photoshop CS5 Extended software delivers breakthrough capabilities for creating images with impact.
Upgrade from Photoshop Elements to Adobe Photoshop CS5 Extended
Customers who have a license for the following applications are eligible for upgrade pricing:
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For more information on eligibility, visit www.adobe.com/go/upgradeinfo.
Top reasons to upgrade to Adobe Photoshop CS5 Extended
Complex selections made easy
Get better-than-ever results when selecting intricate image elements, such as hair, and eliminate background color around selection edges. Automatically vary selection edges and perfect masks using new refinement tools.
Content-Aware Fill
Remove any image detail or object and watch as Content-Aware Fill magically fills in the space left behind. This breakthrough technology matches lighting, tone, and noise so it looks as if the removed content never existed.
Extraordinary painting effects
Achieve natural and realistic painting effects with the Mixer Brush, which offers on-canvas color blending, and Bristle Tips, which let you create lifelike, textured brushstrokes.
3D extrusions with Adobe Repousse
Create 3D logos and artwork from any text layer, selection, path, or layer mask with Adobe Repousse technology. Twist, rotate, extrude, bevel, and inflate your designs.
Puppet Warp
Precisely reposition or warp any image element. Swing a raised arm to a person's side in a photo, stretch text to create new effects, and more.
State-of-the-art raw image processing
Use the Adobe Photoshop Camera Raw 6 plug-in to nondestructively remove image noise while preserving color and detail; add grain to make digital photos look more organic; enjoy more control as you perform post-crop vignetting; and more.
Superior HDR imaging
Create photorealistic or surreal HDR images with unprecedented speed, control, and accuracy. Get better-than-ever results thanks to automatic ghost removal and greater control with tone mapping and adjustments, and even give single-exposure photos the look of HDR.
Enhanced 3D realism and rich materials
Enhance 3D objects and designs with easy shadow creation, image-based lights, and materials like glass and chrome. Explore with different focus points in your 3D scene by adjusting the range for depth of field.
Efficient workflow
Enjoy productivity and creativity boosts thanks to dozens of features and enhancements requested by Photoshop users. Straighten images automatically, choose colors from an onscreen color picker, adjust the opacity of many layers at once, and more.
Faster performance across platforms
Speed up day-to-day imaging tasks and process very large images up to 10 times faster by taking advantage of cross-platform 64-bit support. (Requires a 64-bit-capable computer with a 64-bit version of Mac OS, Microsoft Windows 7, or Windows Vista. Actual performance varies depending on amount of RAM, driver types, and other factors.)
Better media management
Easily manage media with more flexible batch renaming, and access your assets in the context of what you're working on by using the customizable Adobe Mini Bridge panel in Photoshop.
Streamlined creative reviews through integration with CS Live services
Use Adobe CS Review, part of new CS Live online services, to initiate a secure review without leaving Photoshop. Reviewers can add comments to your images from their browsers, and you see those comments appear automatically on your screen. Adobe CS Live online services are complimentary for a limited time. Visit www.adobe.com/go/cslive for details.
Photoshop CS5 and Photoshop CS5 Extended provide unparalleled editing and enhancement control with powerful new selection-refinement tools that produce superior results with complex subjects and state-of-the-art noise removal, sharpening, and raw-image processing with Adobe Camera Raw 6. Click to enlarge.
Create powerful images with the professional standard
3D extrusions
Easily explore new creative directions: Create 3D logos and artwork with Adobe Repousse technology. Twist, rotate, extrude, bevel, and inflate these designs, and then apply rich materials like chrome, glass, and cork.
Advanced 3D editing capabilities
Push your creative boundaries with powerful 3D editing tools--even paint directly on 3D objects. Add 3D objects to your designs and create amazing composites. Illuminate your scene with real lighting, and animate your objects.
Motion content editing
Paint, add text, and clone over multiple frames of an imported video sequence using your favorite Photoshop tools.
Easy access to core editing power
Get just the tools you need--exactly when you need them--when performing common editing activities. Adjustments and Masks panels guide you in making precise edits.
Extraordinary creative tools
Achieve realistic painting effects with the ability to mix colors on canvas and create natural brushstrokes. Merge multiple exposures into stunning high dynamic range (HDR) images. Move, remove, warp, or stretch any image element.
State-of-the-art photography
Easily merge multiple exposures to extend the dynamic range with more power, precision, and fidelity than ever before. Convert to black-and-white in new ways. And use Dodge, Burn, and Sponge tools that intelligently preserve color and tone details.
Image analysis
Use measurement and counting tools to extract quantitative information from images. Record and export data for further analysis. Import DICOM files as frames or as a volume to directly analyze and edit your image data.
Industry-leading raw image processing
Enjoy superior results when you convert raw images with the Camera Raw 6 plug-in, which offers support for over 275 camera models plus nondestructive editing so you can experiment without harming your original photo.
The Edge Detection and Decontaminate Colors features help you make highly precise selections of complex subjects quickly and easily, enabling faster, more accurate compositing of multiple images. Click to enlarge.
Magically remove unwanted detail in your photographs with Content-Aware Fill. In this example, the boat has been removed from the photo by making a rough selection around the subject (left) and then filling the area with the Content Aware option selected in the Fill dialog box. Click to enlarge.
With new tone-mapping and alignment technologies, sophisticated controls, and an updated dialog box, HDR Pro helps you to produce a variety of creative outcomes from a single set of source files. Click to enlarge.
Recreate the look of your favorite film with the new Grain feature. Left: Original photo. Right: After grain has been applied.
The Adobe Camera Raw 6 plug-in includes new features for better sharpening, adding grain, removing noise, and producing creative vignette effects. Click to enlarge.
You can use Puppet Warp to interactively reposition, reshape, and transform key objects in your photos. In this example, rose photos, like the one above, were twisted and layered to form a wreath and the letters in the center of the composition (left).
Automated compositing tools
Easily create a single image from a series of shots that have different focal points, smoothly blending color and shading and extending your depth of field. And take advantage of accurate, automatic layer alignment.
Efficient media management
Manage your media visually with Adobe Bridge CS5 software. Enjoy more flexible batch renaming plus the ability to access files in the context of your work using the customizable Adobe Mini Bridge panel.
Powerful printing options
Get outstanding prints in less time with automation, scripting, and a print dialog box that's easier to navigate.
Broad file format support
Import and export hundreds of file formats, including PSD, AI, PDF, NEF, CRW, TIFF, BMP, Cineon, JPEG, JPEG2000, FXG, OpenEXR, PNG, Targa, DICOM, OBJ, KMZ, Collada, U3D, 3DS (import only), 3G, FLC, MOV, AVI, DV Stream, Image Sequence, MPEG-4, and FLV.
Extensibility
Personalize Photoshop and extend its capabilities. Use developer-created custom panels to accomplish specific tasks. Visit the Adobe Photoshop Marketplace for third-party plug-ins and resources. And check out Adobe Community Help for tips and tricks.
Adobe Photoshop Lightroom integration
Enjoy tight integration with Adobe Photoshop Lightroom software (sold separately), easily moving files from Lightroom to Photoshop CS5 to create HDR images, panoramas, and multilayered Photoshop documents. Roundtrip your files back to Lightroom.
Top new features of Photoshop CS5 and Photoshop CS5 Extended
Intelligent selection technology
Photoshop CS5 takes the time and frustration out of making precise image selections and masks, providing you a faster way to extract subjects from their backgrounds and create realistic composites. New intelligent selection technology offers better edge detection and faster, more accurate masking results of complex subjects, like hair. Automatic color decontamination helps you eliminate background color around the edges of a selection, resulting in more seamless compositions when placing extracted subjects on new backgrounds.
Experienced Photoshop users know that the best
selections are created by constantly adapting the selection technique for differences in the subject's edges--one method for hair and another for the edge of a building. With Photoshop CS5, you can produce highly accurate masks and selections faster and more simply than before with a set of new adaptive selection-edge modification controls. Smart Radius automatically matches the best selection approach with the subject's changing edge characteristics, and the extra view modes assist you in previewing the quality of your selections. The Refine Radius and Erase Refinements tools customize your masks and selections as you make them. These tools, in combination with the color decontamination settings, help eliminate any residual background color from around the edges of your selections.
Content?Aware Fill
One of the most exciting new features in Photoshop CS5 is the remarkable ability to remove an image element and magically replace it with details that match the lighting, tone, and noise of the surrounding area so that it looks like the content never existed. Now, you can make substantial changes to photo composition quickly and easily, as even large complex subjects can be seamlessly erased.
You can use Content-Aware Fill with the Spot Healing Brush or as an option of the Fill feature to replace content in an active selection. Selecting the Content-Aware setting with the Spot Healing brush changes the way the tool fills in the areas you paint. This retouching approach is designed to account more fully for the structure and detail of the image elements that surround the painted area, providing a near-invisible result when removing unwanted objects. Alternatively, you can select the object to be removed, and then replace the area with synthesized details from the area surrounding the selection, simply by using the Content-Aware option in the Fill dialog box.
HDR Pro for creativity and precision with the next generation of high dynamic range imaging
With just a few clicks, you can go beyond the capture capabilities of your camera by combining multiple exposures into a single high dynamic range (HDR) photo that preserves the full tonal range of a scene with high contrast. Photoshop CS5 introduces HDR Pro for more control over the HDR merging process and greater adjustment power over the mapping of tones and the styling of HDR output, resulting in images that range from photorealistic to highly surreal.
HDR Pro offers extended controls, an enhanced dialog box, and improved image processing. New algorithms enable more accurate alignment of source files and automatically deghost any problem areas that occur when trying to merge source photos where subjects have moved during capture. You can even select a source file to be used as the sole reference for any ghosted areas or allow the feature to do this automatically for you.
New tone-mapping tools and adjustment controls give you the power to implement your own HDR vision, producing photos that range in style from fully textured images of high-contrast scenes to wildly hyper-realistic creations. Save your favorite styles as presets and apply them to multiple groups of source files to provide a common look and feel to your HDR photos. And for times when you don't have multiple source files, create the look of an HDR-processed image from a single photo with the new HDR Toning feature that allows you to mimic the tone-mapping results traditionally achieved in high dynamic range photos.
Together with the existing Photomerge feature (which allows for image stitching), the exposure-merging capabilities of HDR Pro can add up to high-bit-depth, 360-degree panoramas ideal for composite photography, video, and beyond.
The Auto Stack Panorama/HDR files option in Adobe Bridge CS5 and the new panelized Mini Bridge groups source files together into stacks for quicker creation of HDR images in Photoshop CS5. You can even start the creation of an HDR file by choosing Tools > Merge To HDR from the Mini Bridge panel inside Photoshop.
State-of-the-art raw-image processing
The Adobe Camera Raw 6 plug-in, which ships with Photoshop CS5, now supports more than 275 camera models as it continues to provide you with the industry-leading conversion of raw files. In addition, the utility provides advanced, nondestructive image editing and enhancement for raw files, as well as for other standard formats, including JPEG and TIFF. Now you can remove noise, achieve better quality sharpening, and creatively apply new styles of vignettes and film-like grain.
You can now shoot at higher ISO settings with confidence, because the updated controls in the Adobe Camera Raw 6 plug-in remove the noise common in such high-ISO images (as well as in photos captured with long exposures and pictures from consumer cameras) while still preserving excellent color and detail.
New controls for adding grain and additional post-crop vignetting settings join many creative options already available in this utility, such as the Adjustment Brush and the Graduated Filter. For the first time, you can add grain-like texture to photos as part of your nondestructive editing workflow. Adjust amount, size, and roughness of grain to easily give composites a more natural, seamless appearance by matching levels of grain across all source images--or simply use the feature to make a digital photo look more organic or film-like.
Updated post-crop vignetting options offer more creative control over the corner darkening and lightening process, and your favorite vignette effects can be saved as presets for quick application across multiple files.
Upgraded sharpening options produce clearer photos with fewer artifacts while providing better control over key details, especially when working with high-resolution pictures produced by multi-megapixel cameras.
Extraordinary painting effects
With a new Mixer Brush, a Bristle Tips feature, and a new mechanism for blending colors, Photoshop CS5 redefines the way you paint. You can take advantage of more natural and realistic painting effects, making it easy to take your imagery and designs in new artistic directions.
The Mixer Brush lets you define multiple colors on a single tip, and then mix and blend them with the underlying hues on your canvas, achieving creative results that rival traditional painting media. When starting with a photo original, you can use a dry, empty brush to blend the existing colors while at the same time adding a painterly effect to the image. Mixer Brush settings provide extensive control over the wetness of the canvas colors, the load rate that determines amount of paint loaded on the brush, the mixing rate between brush and canvas colors, and whether the brush is refilled, cleaned, or both after each painting stroke.
In conjunction with these new mixing features, Photoshop CS5 incorporates unprecedented control over stroke characteristics of its painting tools with Bristle Tips. Bristle Qualities define key bristle properties such as shape, length, stiffness, thickness, angle, and spacing, which affect how the color is laid on the image as you paint.
The Bristle Brush Preview feature provides a visual representation of these changes, and you can save your tip configurations for future use, allowing you to build a customized collection of Bristle Tips to experiment with when using Photoshop brush tools.
Puppet Warp
Puppet Warp gives you more freedom when pushing and pulling elements within an image. The feature lets you recompose an image to make it more appealing, or to fit a specific layout, by allowing the precise repositioning of any element within a Photoshop document, or selection, by simply clicking and dragging. After you reposition an object, Photoshop adjusts the rest of the image to account for the shifted pixels.
After choosing Edit > Puppet Warp, click on your image to drop pins establishing anchor points where you want image parts not to move, and handles that you can use for warping. Then drag any of the pins to reposition the picture elements. Use Puppet Warp to swing a raised arm to a person's side, warp and stretch text to create new effects, or reposition intrusive objects in a photo to create a more pleasing composition.
Automated lens correction
The Lens Correction features in Photoshop CS5 create better quality captures by removing or correcting the three most common lens-based errors: geometric distortion, chromatic aberration, and vignetting. This means you can use a wider range of lenses with the confidence of producing images of the highest quality. With the aid of the Adobe Lens Profile Creator (available separately as a free download from labs.adobe.com) you can produce custom profiles characterizing the optical aberrations of your camera lenses. When installed and selected in the Lens Correction filter in Photoshop CS5, the profile automatically removes or corrects the three types of distortion.
Use the extrusion settings and controls in the Repousse dialog box to quickly style your 3D model. Click to enlarge.
Quickly add drama and realism to your models with interactive control of scene lighting (right), material selection (left), and the creation of shadows (above) with the new Shadow Catcher feature. Click to enlarge.
The controls in the 3D section of the Preferences dialog box (above) allows you to fine-tune the rendering system in Photoshop to achieve the best 3D design experience.
The Lens Correction feature located in the Photoshop CS5 Lens Correction filter provides camera- and lens-specific correction for three of the most common lens-related aberrations.
The Lens Correction filter in Photoshop CS5 is redesigned to include manual adjustment controls under the Custom tab, and settings for locating and applying custom Lens Correction Profiles (LCP files) under a new Auto Correction tab. Installed profiles that match your camera and lens combination are used to apply precise distortion corrections to your photos. Suitable profiles can be located easily based on the EXIF data automatically recorded with the image, and if a suitable profile is not present in the Lens Correction filter, then with a single click within the dialog box, you can search online for the correct profile to meet your needs.
Individual error types can be selected in the filter's settings, as can options for handling any transparent areas that surround the corrected image.
Easy 3D extrusions with Adobe Repousse (Photoshop CS5 Extended only)
Repousse is an ancient metalworking technique for embossing artwork on the surface of metals such as gold, silver, copper, tin, and bronze. Photoshop Extended offers a powerful new feature, inspired by this traditional technique, for creating eye-catching 3D artwork.
Use Adobe Repousse to easily convert 2D artwork into 3D objects and then create depth by altering the extrusion properties of the 3D model. Easily extrude text to create logos and 3D artwork for use in websites, video frames, or layouts.
Starting with a text layer, a path, a selection, or a layer mask, you can convert the content to 3D with the Create New 3D Object section of the 3D panel. After the conversion is complete, you can alter the look of your 3D model by manipulating its key extrusion properties--depth, scale, bend, shear, inflate, or twist--in the Repousse dialog box.
In addition to manipulating these properties, you can inflate the front or back of the extrusion and/or apply a custom bevel. Sections of objects (internal subpaths) can also be inflated by creating a selection first and then adjusting the Internal Constraints settings in the Repousse dialog box. The 3D Axis widget allows on canvas rotation of the of the model
Enhanced 3D realism and rich materials (Photoshop CS5 Extended only)
Bring your 3D creations to life with the materials that ship with Photoshop CS5 Extended. You can select materials from the library of included presets, download additional materials by choosing 3D > Browse 3D Content, create your own, or even edit existing materials to customize them for your needs (in the materials section of the 3D panel). Test a variety of looks for your 3D models and extruded designs by adding different materials or textures to their surfaces. Materials that feature reflection or refraction properties can be rendered with the new Adobe Ray Tracer engine. The Repousse dialog box, and the Materials section of the 3D panel, both contain options for applying a single material to all surfaces--as well as choosing different treatments--for individual sections and surfaces of your models
Use the 3D Material Drop tool and the Material Load tool to easily load a material and drop it into different meshes, allowing you to sample and apply materials interactively. New overlay controls provide instant feedback about where specific materials and meshes are located in your model, and the updated 3D axis widget now works with lights and cameras as well as 3D objects.
With the Shadow Catcher feature, you can now easily generate a shadow on the ground plane of a scene, and then adjust how the shadow interacts with image content of other layers by altering its opacity and its softness. To further enhance realism, you can use an HDR image to light your scene, or re-create traditional depth-of-field effects in your rendered scene by adjusting the zone of sharpness with the new Distance and Blur controls.
Better 3D performance and workflow (Photoshop CS5 Extended only)
Take advantage of better performance and immediate rendering feedback thanks to the improved Adobe Ray Tracer (ART) engine in Photoshop CS5 Extended. ART 2.0 brings substantial improvements in performance when you interact with and edit 3D models. ART 2.0 progressively renders 3D scenes with an option to re-render after a pause, or even perform selective renderings, all while providing more immediate feedback and dramatically reducing the time it takes to preview key areas in high quality.
You also get faster previews and more responsive interaction thanks to changes made in the OpenGL engine, which now fast-tracks the delivery of complex 3D geometry to the video card. Overall workflow performance has been optimized with improved import, interaction speeds, and better merging of 3D objects into a single scene. To aid with fine-tuning and adjustment of these performance features, there is a new 3D section in Preferences.
User-inspired productivity enhancements
Photoshop CS5 helps boost productivity and creativity throughout the editing workflow with dozens of enhancements inspired by Photoshop users.
Streamlined creative reviews through integration with Adobe CS Review
Collaborate with colleagues and seek client comment quickly and easily with Adobe CS Review, a new CS Live online service* designed to simplify and accelerate the design review process.
With CS Review, you can avoid the hassles of large email attachments, logon problems with FTP servers, and time-consuming next-day air deliveries usually associated with client reviews by instead initiating a secure, shared review. Comments are displayed in near-real time and in context, providing convenient feedback on your images and designs. You can access the CS Review service from within Photoshop CS5.
Faster performance with cross-platform native 64-bit support
Tight deadlines and large file sizes make performance a high priority for many Photoshop users. Photoshop CS5 and Photoshop CS5 Extended deliver cross-platform 64-bit support, allowing you to perform day-to-day imaging tasks up to 10 times faster. Video and photo professionals, especially, benefit from the extra performance, as gains are even greater if you regularly work with very large files, where processing can be up to ten times faster when you take advantage of higher addressable RAM amounts--limited only by what your hardware accommodates.
To help you tweak the performance of your setup, Photoshop CS5 lets you adjust history, tile, and cache controls in combination.
Greater access to key resources via flexible custom panels
Photoshop CS5 offers easy ways to integrate and extend your workspace with customized panels. With the aid of the Configurator 2.0 panel utility (available separately as a download from labs.adobe.com) you can produce your own panels, bringing together your most used tools and menu selections and incorporating your favorite web feeds or video tutorials.
Stay connected to the greater Photoshop community and all facets of your digital life directly from within Photoshop CS5 by using panels you create or those produced and distributed by other users. You can access anything that lives on the web--favorite blogs, video content, even your email--with these integrated panels. You can even expand content beyond a panel's standard viewing area when you need a magnified view.
Easier interface management with Live Workspaces and Workspace Switcher
Creating dedicated, task-specific workspaces that mimic your individual workflow increases productivity and efficiency by hiding the features you don't use and exposing the ones you do. New Live Workspaces auto-save any changes you make to a task-specific workspace, so that if you switch to a different workspace and then back again during an editing session, your panels remain exactly where you left them. The number of entries displayed in the collapsible Workspace Switcher can be altered, and the position of each workspace can be rearranged. This provides quicker navigation between frequently used setups.
Superior black-and-white conversion
Photoshop CS5 continues to support the tradition of producing finely crafted monochrome photos with the inclusion of new ways to explore an endless variety of black-and-white looks. You can use the integrated Lab Black & White Technique action, located in the Default Actions group of the Actions panel, for an easy and interactive way to convert color images. Create gorgeous HDR black-and-whites with greater ease and speed by taking advantage of the new and updated features in HDR Pro. Take your monochrome creations in new directions with conversion presets in the Black & White panel.
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Master the fundamentals of Photoshop CS4 and then some with One-on-One, Deke McClelland's unique and effective learning system. Adobe Photoshop CS4 One-on-One includes step-by-step tutorials, more than five hours of DVD-video demonstrations, and hands-on projects to help you improve your knowledge and hone your skills. Once you read about a particular technique, you can see how it's done first-hand in the video. The combination is uniquely effective.
Whether you're new to Photoshop or a creative professional interested in the groundbreaking features of CS4, Deke's conversational style and carefully structured lessons guide you easily through the program's fundamental and advanced concepts and techniques. More than 850 full-color photos, diagrams, and screen shots illustrate every key step. With this book, you will:
Learn at your own speed with 12 self-paced tutorials
Master Photoshop's workflow and file handling features
Try out techniques and best practices with engaging real-world projects
Discover how Bridge and Camera Raw can help you optimize digital photos
Create beautiful multilayered documents, including posters and flyers
Test your knowledge with multiple-choice quizzes in each chapter
And more. Written and produced by a Photoshop expert with well over 20 years of experience, Adobe Photoshop CS4 One-on-One simulates a classroom environment that provides one-on-one attention as you proceed from lesson to lesson. You'll learn to use Photoshop faster, more creatively, and more efficiently than you thought possible.
How can you master the fundamentals of Photoshop CS4, with all of its incredible features? Deke McClelland's proven One-on-One learning system offers step-by-step tutorials, five hours of DVD-video demonstrations, and hands-on projects to improve your knowledge and hone your skills. Read about features such as Photoshop's new Adjustments panels in the book, and see how they're used first-hand in the video.
Author Deke McClelland's Photoshop CS4 One-on-One Top Ten New Features Roundup
10) Spring-loaded tools. Temporarily select a tool by pressing and holding its shortcut key. For example, when retouching an image with the healing brush: Press and hold Y to temporarily get the history brush, erase part of your modification, and then release Y to return to the healing brush.
9) The Adjustments palette. Nondestructive adjustment layers (which are independent layers of editable color adjustment) are now handled in a palette. Some folks will love the convenience, others will lament the many changes that were required to accommodate this feature. Mostly, though, the palette aggregates stuff that's been there for ages. One new item, Vibrance, enhances color intensity without exaggerating noise.
8) The Masks palette. CS4's other new palette is largely another aggregator, providing convenient access to old features. Three new items: The wonderful Color Range command can now directly generate masks. Color Range can see base colors based on proximity. And you can blur edges parametrically (meaning non-permanently, by the numbers).
7) The enhanced Bridge 3.0. The Bridge is CS4's asset manager, permitting you to preview and organize your images. Auto-updating workspaces, a review mode complete with image carousel, full-screen preview, folder-independent image collections, and search-based smart collections are just a few improvements. Oh, and you can assemble multipage PDF contact sheets from the Output panel.
6) Improved toning tools. Paint with the dodge tool to lighten an image; paint with the burn tool to darken. Only thing, the tools used to suck. Now they're so good, I actually use them on a regular basis. They're still destructive (meaning they permanently change pixels), but in a good way!
5) Camera Raw 5. Essentially a logically organized and altogether independent color adjustment application, Camera Raw continues to be that top-secret tool that makes every version of Photoshop worth buying. This time, it offers the equivalent of nondestructive and highly customizable dodge and burn. Which you can apply as brushstrokes or gradients. Plus you can add vignettes inside crop boundaries. It's like a free copy of Lightroom bundled inside every version of Photoshop. Which given that Lightroom costs more than a Photoshop upgrade, and this is just feature 5 of 10, is fairly significant.
4) Target adjustment tool. Associated with three color adjustments—Hue/Saturation, Black & White, and Curves—the target adjustment tool lets you selectively modify colors and luminance levels by dragging in an image. For example, drag on a model's lips to boost their saturation. No need to isolate a hue range. Just drag. Honestly, if you aren't loving this tool within a week, check to make sure you have a pulse.
3) The tabbed-window interface. This feature has already proved controversial, with a few noisy Macintosh users in particular voicing disapproval. But speaking as a cross-platform guy with a decidedly Mac bias, it's a net-sum gain. You now have the option of docking every image in a tabbed window. Click a tab to switch documents. Drag a tab to reassign priority. Plus, you can drag-and-drop a layer onto a tab to move that layer from one image to another. The tabbed window interface is a masterpiece of design and a thing of beauty.
2) Content-aware scaling. Part of Adobe's advance compositing suite, the Content Aware Scale command lets you stretch or squish low-contrast 'background' elements independently of high-contrast 'foreground' ones. Which means you can bring people together, turn horizontal images into vertical ones, and otherwise transform photographs intelligently. My guess: five years from now we'll all be mocking this feature for what it got wrong. (The degree to which it can mess up certain images is fantastic!) But in the moment, you're going to be singing its praises. This is Photoshop's first truly magical feature since the magic wand. And that was 18 years ago, babies. (Okay, the healing brush was also magical. And that was, what, seven years ago? So we're talking three magical features in two decades. Got to admit, magic is rare.)
1) OpenGL navigation. Forget all that other stuff. Seriously, content-aware scaling? As if. So far as I'm concerned, Photoshop CS4 offers one and only one new feature: OpenGL navigation. Assuming you have a video card that supports OpenGL (most do), then here's what you get: Slow continuous zooms. Rotate the view. Get the hand tool, toss the image, and watch it sail across the screen. Hold down H and click and hold for bird's eye. And by God if every zoom level isn't a thing of bicubically rendered beauty. (No idea what I'm talking about? Trust me, huge.) OpenGL navigation is so good it makes me hate CS3. Some nights, OpenGL navigation and I open a bottle of wine and just talk about how lucky we are just to have met each other. It's that good.




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